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Handel
Handel Gigue Siebente Suite in g moll - HWV 432
pental
1:52 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 2 5 4 93%
Bass 19 2 2 3 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 2 5 4 93%
Bass 19 2 2 3 76%
 
Handel Andante Siebente Suite in g moll - HWV 432
pental
3:48 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 1 7 6 100%
Bass 21 0 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 1 7 6 100%
Bass 21 0 5 4 100%
 
Overture to Handel's Messiah for Recorders
Michel Marinier
3:54 Est. Play
Time
98 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Soprano Treble 26 4 8 8 96%
Alto Treble 18 0 6 8 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Soprano Treble 26 4 8 8 96%
Alto Treble 18 0 6 8 95%
Bass/Alto Bass 24 0 8 7 93%
Tenor
2		 Treble 19 0 7 8 92%
 
Allegro (Fuga à 4) from Suite No 3 HWV 428
Bartók forever
1:53 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 10 9 95%
Bass 24 1 7 10 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 10 9 95%
Bass 24 1 7 10 93%
 
Handel Allegro Siebente Suite in g moll - HWV 432
pental
1:56 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 2 8 5 100%
Bass 20 0 5 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 2 8 5 100%
Bass 20 0 5 5 100%
 
Handel - Trio Sonata VIII (Transcribed for Piano)
Fake Your Death
8:54 Est. Play
Time
279 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 29 20 10 11 99%
Bass 27 4 9 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 29 20 10 11 99%
Bass 27 4 9 7 100%
 
Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version
sven2011
1:48 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 4 100%
Bass 17 14 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 4 100%
Bass 17 14 5 5 96%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV1A2N21 - Zweier Augen Majestät
edward.maurath
2:35 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
Bassoon Bass 17 0 6 5 60%
Bass 21 0 5 2 100%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%
 
Sonata 3 (HWV 361)
Norman Schmidt
6:57 Est. Play
Time
115 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 25 3 7 11 100%
Bass 22 1 6 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 25 3 7 11 100%
Bass 22 1 6 8 100%
 
Sonata 1 (HWV 359)
Norman Schmidt
7:09 Est. Play
Time
156 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 29 0 12 13 100%
Bass 27 1 9 9 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 29 0 12 13 100%
Bass 27 1 9 9 100%
 
Handel's Joshua No. 53 - Shall I in Mamre's Fertile Plain
Anonimasu1
2:48 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 37 6 8 92%
Bass 20 5 5 8 100%
Baritone Bass 16 0 4 9 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 37 6 8 92%
Bass 20 5 5 8 100%
Baritone Bass 16 0 4 9 77%
 
HWV63A0 - Judas Maccabeus (1746) Overture in g minor
edward.maurath
11:07 Est. Play
Time
186 Measures
2,568Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
Viole 18 0 4 8 83%
Contrabassi Continuo Bass 25 0 10 10 81%
Violoncelli Continuo Bass 25 0 10 10 81%
Bassoon Continuo Bass 26 0 10 10 45%
Oboe 1 Treble 22 0 8 9 45%
Organo Treble 16 39 5 9 40%
Bass 20 1 5 9 41%
Cembalo Continuo Treble 17 42 5 6 30%
Bass 20 4 3 6 30%
Oboe 2 Treble 18 0 5 7 26%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
HWV61A2N46 - Regard, O son, my flowing tears
edward.maurath
6:48 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
Cello Bass 23 0 7 10 98%
NITOCRIS 16 0 6 9 76%
Violin Treble 23 2 9 9 71%
Violoncellos Bass 17 0 5 9 69%
Violone Bass 17 0 5 9 69%
 
Messiah| No.41: Let Us Break Their Bonds Asunder
Pete Alan
1:42 Est. Play
Time
68 Measures
1,277Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 1 4 7 100%
Violas 20 1 6 6 99%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 1 4 7 100%
Violas 20 1 6 6 99%
Violins Treble 24 0 5 8 91%
Treble 24 0 5 7 91%
Fagott Bass 22 0 4 7 91%
Cembalo Treble 23 49 6 7 87%
Bass 26 72 5 7 84%
Tenor Treble 15 0 4 5 82%
Oboe Treble 15 0 4 6 74%
Soprano Treble 15 0 4 6 74%
Alto Treble 12 0 2 6 69%
Bass Bass 15 0 3 6 65%
 
HWV63A1N4 - "From this dread scene" in g minor
edward.maurath
3:00 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 4 9 5 53%
Bass 22 0 8 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 4 9 5 53%
Bass 22 0 8 5 100%
Contrabassi Continuo Bass 22 0 8 5 100%
Violoncelli Continuo Bass 22 0 8 5 100%
Violoncello Continuo Bass 22 0 8 5 100%
Alto 16 0 4 4 71%
Soprano 17 0 6 4 65%
Violini 1 Treble 22 0 7 5 53%
Violini 2 Treble 23 0 9 5 53%